These guys are killing it!!!! Can’t remember if at that point they had started putting out music videos, but I had told Sean about this film that I was making [A Chant]. At that time, I was more so interested in supporting those who were trying to be constructive with their grief—something I hadn’t been able to do yet myself. I was allowed to do whatever I wanted however I wanted. Sean and I were in Hawaii for my mom’s wedding. I had just wrapped physical production at the end of December and offered my services as a director, if they ever should need one. It was in January [when] I first heard the final mix of “Soul Song.” The scene was touching. It’s about the lasting power of memory and about taking grief at my own pace. I’m sure it was in the back of my head, but I would say that this video is all about me and not about him at all.
It was in January [when] I first heard the final mix of “Soul Song.” The scene was touching.
But it was Sean. We took some time to go over the music one on one at this little coffee shop. “It’s intense. Sie klingt wie die seines Vaters. We'll assume you're ok with this, but you can opt-out if you wish. I had just wrapped physical production at the end of December and offered my services as a director, if they ever should need one. I was made never to forget.
It’s massive in scope, especially for something so small, but there were no restrictions. But I ultimately ended up working only on “Soul Song.” I don’t think I was looking at the songs in any sort of analytical light.
They made it so that what had happened was always in my face. “I think what surprised me most was the amount of trust and freedom I was given by Sean [Dowdell] and Todd Netter of Loma Vista Recordings to make this thing,” Bennington says. I know “Soul Song” and “Morei Sky” were two of them. Jaime Bennington explained his involvement with the project to AltPress and the intentions he wished to convey. “It’s intense. I had begun this practice of mindful meditation to combat my often debilitating anxiety and depression. I was made never to forget.
We took some time to go over the music one on one at this little coffee shop.
„Er klingt sehr nach seinem Vater“. However, the power of such a practice is undeniable.
These guys are killing it!!!! Can’t remember if at that point they had started putting out music videos, but I had told Sean about this film that I was making [A Chant]. At that time, I was more so interested in supporting those who were trying to be constructive with their grief—something I hadn’t been able to do yet myself. I was allowed to do whatever I wanted however I wanted. Sean and I were in Hawaii for my mom’s wedding. I had just wrapped physical production at the end of December and offered my services as a director, if they ever should need one. It was in January [when] I first heard the final mix of “Soul Song.” The scene was touching. It’s about the lasting power of memory and about taking grief at my own pace. I’m sure it was in the back of my head, but I would say that this video is all about me and not about him at all.
It was in January [when] I first heard the final mix of “Soul Song.” The scene was touching.
But it was Sean. We took some time to go over the music one on one at this little coffee shop. “It’s intense. Sie klingt wie die seines Vaters. We'll assume you're ok with this, but you can opt-out if you wish. I had just wrapped physical production at the end of December and offered my services as a director, if they ever should need one. I was made never to forget.
It’s massive in scope, especially for something so small, but there were no restrictions. But I ultimately ended up working only on “Soul Song.” I don’t think I was looking at the songs in any sort of analytical light.
They made it so that what had happened was always in my face. “I think what surprised me most was the amount of trust and freedom I was given by Sean [Dowdell] and Todd Netter of Loma Vista Recordings to make this thing,” Bennington says. I know “Soul Song” and “Morei Sky” were two of them. Jaime Bennington explained his involvement with the project to AltPress and the intentions he wished to convey. “It’s intense. I had begun this practice of mindful meditation to combat my often debilitating anxiety and depression. I was made never to forget.
We took some time to go over the music one on one at this little coffee shop.
„Er klingt sehr nach seinem Vater“. However, the power of such a practice is undeniable.
These guys are killing it!!!! Can’t remember if at that point they had started putting out music videos, but I had told Sean about this film that I was making [A Chant]. At that time, I was more so interested in supporting those who were trying to be constructive with their grief—something I hadn’t been able to do yet myself. I was allowed to do whatever I wanted however I wanted. Sean and I were in Hawaii for my mom’s wedding. I had just wrapped physical production at the end of December and offered my services as a director, if they ever should need one. It was in January [when] I first heard the final mix of “Soul Song.” The scene was touching. It’s about the lasting power of memory and about taking grief at my own pace. I’m sure it was in the back of my head, but I would say that this video is all about me and not about him at all.
It was in January [when] I first heard the final mix of “Soul Song.” The scene was touching.
But it was Sean. We took some time to go over the music one on one at this little coffee shop. “It’s intense. Sie klingt wie die seines Vaters. We'll assume you're ok with this, but you can opt-out if you wish. I had just wrapped physical production at the end of December and offered my services as a director, if they ever should need one. I was made never to forget.
It’s massive in scope, especially for something so small, but there were no restrictions. But I ultimately ended up working only on “Soul Song.” I don’t think I was looking at the songs in any sort of analytical light.
They made it so that what had happened was always in my face. “I think what surprised me most was the amount of trust and freedom I was given by Sean [Dowdell] and Todd Netter of Loma Vista Recordings to make this thing,” Bennington says. I know “Soul Song” and “Morei Sky” were two of them. Jaime Bennington explained his involvement with the project to AltPress and the intentions he wished to convey. “It’s intense. I had begun this practice of mindful meditation to combat my often debilitating anxiety and depression. I was made never to forget.
We took some time to go over the music one on one at this little coffee shop.
„Er klingt sehr nach seinem Vater“. However, the power of such a practice is undeniable.
These guys are killing it!!!! Can’t remember if at that point they had started putting out music videos, but I had told Sean about this film that I was making [A Chant]. At that time, I was more so interested in supporting those who were trying to be constructive with their grief—something I hadn’t been able to do yet myself. I was allowed to do whatever I wanted however I wanted. Sean and I were in Hawaii for my mom’s wedding. I had just wrapped physical production at the end of December and offered my services as a director, if they ever should need one. It was in January [when] I first heard the final mix of “Soul Song.” The scene was touching. It’s about the lasting power of memory and about taking grief at my own pace. I’m sure it was in the back of my head, but I would say that this video is all about me and not about him at all.
It was in January [when] I first heard the final mix of “Soul Song.” The scene was touching.
But it was Sean. We took some time to go over the music one on one at this little coffee shop. “It’s intense. Sie klingt wie die seines Vaters. We'll assume you're ok with this, but you can opt-out if you wish. I had just wrapped physical production at the end of December and offered my services as a director, if they ever should need one. I was made never to forget.
It’s massive in scope, especially for something so small, but there were no restrictions. But I ultimately ended up working only on “Soul Song.” I don’t think I was looking at the songs in any sort of analytical light.
They made it so that what had happened was always in my face. “I think what surprised me most was the amount of trust and freedom I was given by Sean [Dowdell] and Todd Netter of Loma Vista Recordings to make this thing,” Bennington says. I know “Soul Song” and “Morei Sky” were two of them. Jaime Bennington explained his involvement with the project to AltPress and the intentions he wished to convey. “It’s intense. I had begun this practice of mindful meditation to combat my often debilitating anxiety and depression. I was made never to forget.
We took some time to go over the music one on one at this little coffee shop.
„Er klingt sehr nach seinem Vater“. However, the power of such a practice is undeniable.
These guys are killing it!!!! Can’t remember if at that point they had started putting out music videos, but I had told Sean about this film that I was making [A Chant]. At that time, I was more so interested in supporting those who were trying to be constructive with their grief—something I hadn’t been able to do yet myself. I was allowed to do whatever I wanted however I wanted. Sean and I were in Hawaii for my mom’s wedding. I had just wrapped physical production at the end of December and offered my services as a director, if they ever should need one. It was in January [when] I first heard the final mix of “Soul Song.” The scene was touching. It’s about the lasting power of memory and about taking grief at my own pace. I’m sure it was in the back of my head, but I would say that this video is all about me and not about him at all.
It was in January [when] I first heard the final mix of “Soul Song.” The scene was touching.
But it was Sean. We took some time to go over the music one on one at this little coffee shop. “It’s intense. Sie klingt wie die seines Vaters. We'll assume you're ok with this, but you can opt-out if you wish. I had just wrapped physical production at the end of December and offered my services as a director, if they ever should need one. I was made never to forget.
It’s massive in scope, especially for something so small, but there were no restrictions. But I ultimately ended up working only on “Soul Song.” I don’t think I was looking at the songs in any sort of analytical light.
They made it so that what had happened was always in my face. “I think what surprised me most was the amount of trust and freedom I was given by Sean [Dowdell] and Todd Netter of Loma Vista Recordings to make this thing,” Bennington says. I know “Soul Song” and “Morei Sky” were two of them. Jaime Bennington explained his involvement with the project to AltPress and the intentions he wished to convey. “It’s intense. I had begun this practice of mindful meditation to combat my often debilitating anxiety and depression. I was made never to forget.
We took some time to go over the music one on one at this little coffee shop.
„Er klingt sehr nach seinem Vater“. However, the power of such a practice is undeniable.
At that time, I was more so interested in supporting those who were trying to be constructive with their grief—something I hadn’t been able to do yet myself. [It’s] something I’ve always felt was true. Seriously, I couldn’t be more thankful for the opportunity. Whether people realize it or not, this is at the core of what we are as human beings.
Allerdings gibt es bereits ein Termin, bei dem Jamie Bennington mit den Songs seines Vaters zu hören sein könnte. Sean and I were in Hawaii for my mom’s wedding. If I trusted anybody with that, it was Sean. As a rule, following his death, I tried to avoid listening to his music. Er hat sich das Leben genommen und hinterließ eine Frau und sechs Kinder. Listening to it for this project, what were your initial thoughts about the songs themselves, your father’s performance and lyrics? Honestly, I thought that maybe they had forgotten about that, but sure enough I got a call in May, and a few days later, I was workshopping the concept for “Soul Song” and writing out a shot list.
Wir sind alle sehr stolz, Teil dieser Sache zu sein. Am 20. We took some time to go over the music one on one at this little coffee shop. , a collection of recordings overseen by drummer Sean Dowdell, band co-founder and close personal friend of the late singer. As a rule, following his death, I tried to avoid listening to his music. And that is what this video is about. He readily acknowledges that the experience of making “Soul Song” was more about his experience and resolution than any attempt to add to his late father’s legacy.
Can’t remember if at that point they had started putting out music videos, but I had told Sean about this film that I was making [.
I think that’s what made it manageable for me. Spirituality has always been a divisive factor in any relationship I’ve ever witnessed. And that is what this video is about. Chester would have been so very proud of his Son Jaime Bennington.
But most importantly, it is about my exploration of the world that surrounds me. I had this intense feeling of responsibility in delivering the real deal. Through it, I have not just spoken with him but seen him with my own two eyes. Für die ehemaligen Band-Mitglieder von Grey Daze war es wie eine Zeitreise, wie sie auf Facebook erzählen.
Zusammen mit Chester Benningtons erster Post-Grunge-Band Grey Daze möchte sein Sohn die epischen Songs des Musikers neu einspielen, von "Numb" bis zu "One More Light". Chester Bennington, Sänger von Linkin Park, starb 2017. An authentic experience. That’s not to say that the thought never existed.
It’s about that practice.
These guys are killing it!!!! Can’t remember if at that point they had started putting out music videos, but I had told Sean about this film that I was making [A Chant]. At that time, I was more so interested in supporting those who were trying to be constructive with their grief—something I hadn’t been able to do yet myself. I was allowed to do whatever I wanted however I wanted. Sean and I were in Hawaii for my mom’s wedding. I had just wrapped physical production at the end of December and offered my services as a director, if they ever should need one. It was in January [when] I first heard the final mix of “Soul Song.” The scene was touching. It’s about the lasting power of memory and about taking grief at my own pace. I’m sure it was in the back of my head, but I would say that this video is all about me and not about him at all.
It was in January [when] I first heard the final mix of “Soul Song.” The scene was touching.
But it was Sean. We took some time to go over the music one on one at this little coffee shop. “It’s intense. Sie klingt wie die seines Vaters. We'll assume you're ok with this, but you can opt-out if you wish. I had just wrapped physical production at the end of December and offered my services as a director, if they ever should need one. I was made never to forget.
It’s massive in scope, especially for something so small, but there were no restrictions. But I ultimately ended up working only on “Soul Song.” I don’t think I was looking at the songs in any sort of analytical light.
They made it so that what had happened was always in my face. “I think what surprised me most was the amount of trust and freedom I was given by Sean [Dowdell] and Todd Netter of Loma Vista Recordings to make this thing,” Bennington says. I know “Soul Song” and “Morei Sky” were two of them. Jaime Bennington explained his involvement with the project to AltPress and the intentions he wished to convey. “It’s intense. I had begun this practice of mindful meditation to combat my often debilitating anxiety and depression. I was made never to forget.
We took some time to go over the music one on one at this little coffee shop.
„Er klingt sehr nach seinem Vater“. However, the power of such a practice is undeniable.
