radhika jones linkedin

[03:36] Sinéad Burke: Sitting across from me is the extraordinary Radhika Jones, and I feel like I have to talk about how we met for the first time. What’s the bigger idea? And I had a child five years ago and that changes things, too. And if it rains, by the way, it doesn’t matter, that is the day. [14:36] Sinéad Burke: And when you were doing the PhD in English literature, I’m often really interested in much like yourself, the stories that we tell, the voices that we choose to amplify. And he said that he was helping out with the search and that he had thought of me and would I be interested?

The first question I would love to know is how do you describe yourself personally and professionally? Are you ready for this week’s episode? You know, that is the day. And in that time, so much changed about even the ways that one could be influential, right? And she said, “well, I get it, but you seem like the kind of person who might regret that.” Which was somehow all I needed to hear. And the thing is that, as I think about it, I mean that professionally, but I also mean it personally. [27:50] Sinéad Burke: Well, I have three siblings who are optometrists.

See the complete profile on LinkedIn and discover Radhika’s connections and jobs at similar companies. And they dream of being someone like you, who is shaping culture and the world and society. Our sales and distribution partner is Westwood One. Not at all.

Chetan has 2 jobs listed on their profile. But as somebody who is quite humble and introverted as a person, what made you put yourself forward for editor-in-chief of Vanity Fair? You had impressed and moved a roomful — and a very large roomful — of people with your words. But everybody says, “well, why don’t you get the Lasik surgery?” And I say, “oh, no, no. London was wonderful. I would just get up in the morning and I told my husband he wasn’t allowed to talk to me. And I felt that there was room for Vanity Fair in the culture right now in this moment of change, because as I was having these early conversations, the reporting about Harvey Weinstein was just breaking. I would have to work up to something. And I felt in a funny way that my disparate experience — I had a little bit of that high-low balance in me, myself, and I thought I could bring that to the table. And so I’ve always had a little bit of that tension in my personality, but I guess I never felt that anything was particularly off-limits. Perhaps I was busy thinking, I wasn’t necessarily busy speaking or demonstrating or acting. I didn’t really — I know it sounds obnoxious to many people who do, but I just — I was thin and that was kind of easy.

[11:53] Sinéad Burke: It’s so beautiful to hear that story. [00:58] Hello from Milan.

So I think of myself as an editor first and foremost, and I also think of myself as a reader. As women, and as women who are perhaps from minority groups, so often the world tells us that we must be complacent or satisfied with the space in which we occupy. You know, it’s not something that I’ve had to think about all that much, which shows you that I have some privilege associated with it. Paying the people who dye the wool and the craftspeople who’ve been working at this industry forever a fair living wage, but understanding that plants should be used as dye rather than chemicals. A big encyclopedia of your favorite celebrities! [18:58] Radhika Jones: Oh, so many people and so many things. This week on As Me, Sinéad shares some of her favorite moments from Season 1 that reflect the essence of the show. And what are the things that we who have leadership roles in the culture can do to make sure that more people feel that way?

Music is by Jerome Rankin. Like is it a flash in the pan?

Radhika Jones was born at New York City, New York. So those are the reading and editing and writing, which, of course, joins both of those things — that’s my professional identity. And I thought I could channel that voice. And it’s not your future, it’s your present. When you were younger, did you imagine or dream that this is the professional path that you would traipse down, or what did childhood Radhika dream of being and doing? Because when you’re producing a festival, you can’t push it by three days. And I edited at a number of different kinds of magazines, like an arts and literary quarterly, and all sorts of things. So I didn’t have to be in the office until like 9:30 or 10:00. Assistant produced by Claire Jones and edited by Ivan Kuraev. And it’s a thing that maybe I would be good at. I think one thing is it circles back to what we spoke about, about not thinking that something just isn’t for you, or that you couldn’t do it. [07:10] Radhika Jones: Well, in a funny way, maybe it was challenged by myself because I was also very shy. Tell your friends or listen and subscribe on Apple, Stitcher, Spotify or wherever you like to listen, and rate and review as well.

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