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The 50 Best Jazz Saxophonists Of All Time, ‘Fancy’: Behind Bobbie Gentry’s Women’s Lib Statement, Best Blue Note Album Covers: 20 Groundbreaking Artworks, The Women of Stax: Five Unheralded Pioneers, Photos: Motown Records Archives (Rick James), Motown/EMI Hayes Archives (Stevie Wonder, Mary Wells, Martha And The Vandellas, Marvin Gaye). Written by Smokey Robinson, this was Mary Wells’ biggest hit for Motown – and more or less marked the end of her tenure at the label. It’s definitely heavenly, though. The live recording was still more or less in its infancy in 1963, when … Sinatra At Budokan: A Performance Of Consummate Artistry, ‘The Prisoner’: How Herbie Hancock Found Musical Freedom, ‘Steppenwolf Live’: Rock Heroes Take One More Top Ten Album Trip, Pillar Stone: Clyde Stubblefield, James Brown’s ‘Funky Drummer’, Best Liz Phair Songs: 25 Extraordinary Tracks From The Indie Rock Pioneer, Billy Gibbons Gets A ‘Desert High’ On Second Single From ‘Hardware’, Vince Ash Signs To Goliath And Releases Deluxe Edition of ‘VITO’, Hear Steve Miller Band’s ‘Shu Ba Da Du Ma Ma Ma Ma’ From 1977 Live LP, Taylor Swift Breaks Beatles’ UK Chart Record With ‘Fearless (Taylor’s Version)’, Alan Jackson Sings For His Daughters On ‘Where Have You Been’ Preview, that plaudit going to Gladys Knight And The Pips, classic titles and under-the-radar favorites, ‘Please Mr. Postman’: The Carpenters Redeliver The Marvelettes’ Hit, ‘A Girl Called Dusty’: Dusty Springfield Makes Her Album Debut, Motown And Female Empowerment: How Detroit’s Finest Opened Doors, ‘Pronounced Jah-Nay’: How Zhané Made A Name For Themselves, Mary Wilson’s Self-Titled Solo Album Makes Its Digital Debut, Motown Records And Black Forum To Release ‘Fire In Little Africa’ Collective Album, Synthesizer Pioneer And Stevie Wonder Collaborator Malcolm Cecil Dies At 84, Motown Reissues Elaine Brown’s ‘Elaine Brown/Until We’re Free’ Via Black Forum, Motown/UMe Announces Expanded Edition Of Mary Wilson’s 1979 Solo Debut. Walk in her shoes? The list of 100 Greatest Motown Songs is found here: http://www.digitaldreamdoor.com/pages/best_songs-motown.html It's not my … “Automatically Sunshine,” riding a brilliant little bass run, finds the girls in the masterly supervision of Smokey Robinson, who created a thoughtful yet still danceable sound that was both contemporary to 1972 and true to Motown’s classic values. Assertive, powerful, and groovy, this 1966 smash is beautifully delivered by the great Eddie Kendricks. Smokey Robinson’s group had a nice line in hand-me-down advice songs before he became the king of emotional metaphors, as this miraculous sliver of 1960 R&B testifies. A US No.1 in 1977, and still a club classic. Right still lifts the heart. A fair question, Marvin, as the skinny 60s soul romantic grows into a man aware that the world around him is full of exploitation, fear, and loathing. And here’s a more rolling groover: a US solo No.1 for the former high tenor of The Temptations. Set to a lilting waltz arrangement, this bittersweet tale of anxiety is never resolved – appropriately, as couples still face the same problem. But when a song like this was the result, it was worth arguing over. The classic Motown sound was starting to fully flow by the end of 1963, when “Can I Get A Witness” was released. Get Ready, Dancing In The Street, Money (That's What I Want)... Vários intérpretes Throbbing, grinding, and otherworldly, this is Ross in inner space, chasing dreams and illusions, while regretting wasted love as ever. What a single. Find album reviews, stream songs, credits and award information for Motown: The Complete #1s - Various Artists on AllMusic - 2008 - The opening salvo to Universal's celebration of… (function() {
"Fingertips Pt. Released in 1969, a chart-topper in 1970, and the birth of a legend. 1: The 1960s - Various Artists on AllMusic - 1988 - For Motown to purport that any slapdash… 03:01. Between 1960 and 1970 Motown Records produced dozens of the biggest and most enduring pop hits of all time and created the "Motown Sound." adunit_id: 100000795,
// ]]>
But his slower, altogether more spooked version was the one that stuck. The terrible irony is, The Supremes didn’t sing on it at all, though you can hear Bristol’s voice urging Diana onwards and upwards. Composed by Smokey and his sister Rose, “Quiet Storm” was not a huge pop hit, but it represents two things: a new genre of soul, which gave radio programmers an innovative format called, yes, Quiet Storm; and Motown coming to terms with the fact its music was not entirely for kids and parties anymore. A dreamy – in fact, daydreamy – ballad that was Eddie Kendricks’ parting gift to The Temptations, as he turns this tale of a deluded fantasist into a fan’s dream come true. Here are the best 50 Motown songs. She is reveling in her passion-jaded condition, delivering a trophy-grabbing disco masterpiece, showing the likes of Donna Summer and Gloria Gaynor who’s The Boss. But the not-quite original is the best! More Smokey magic, this time as a tunesmith alongside fellow Miracle Pete Moore. Sink into his silky gentleness and lose yourself. Looking for more? div_id: "cf_async_" + Math.floor((Math.random() * 999999999))
With Diana’s name now in lights, The Supremes set about tackling the problem of delivering soul in a psychedelic year (1967) – by making a psychedelic soul record. Full of beans, the boys from Gary, Indiana, break big with their first Tamla single, sounding like a junior Sly And The Family Stone crossed with a teenage Temptations. // Josh Taylor Days Of Our Lives,
Juneau, Alaska Glacier,
Cage The Elephant Cigarette Daydreams,
Guildford Cemetery Victoria,
Lehigh Valley Ironpigs 2021 Schedule,
Does Victor Caratini Speak English,
Anonymous Series Netflix,
Kadamban Heroine Name,
The Last Ship,
..." />
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The 50 Best Jazz Saxophonists Of All Time, ‘Fancy’: Behind Bobbie Gentry’s Women’s Lib Statement, Best Blue Note Album Covers: 20 Groundbreaking Artworks, The Women of Stax: Five Unheralded Pioneers, Photos: Motown Records Archives (Rick James), Motown/EMI Hayes Archives (Stevie Wonder, Mary Wells, Martha And The Vandellas, Marvin Gaye). Written by Smokey Robinson, this was Mary Wells’ biggest hit for Motown – and more or less marked the end of her tenure at the label. It’s definitely heavenly, though. The live recording was still more or less in its infancy in 1963, when … Sinatra At Budokan: A Performance Of Consummate Artistry, ‘The Prisoner’: How Herbie Hancock Found Musical Freedom, ‘Steppenwolf Live’: Rock Heroes Take One More Top Ten Album Trip, Pillar Stone: Clyde Stubblefield, James Brown’s ‘Funky Drummer’, Best Liz Phair Songs: 25 Extraordinary Tracks From The Indie Rock Pioneer, Billy Gibbons Gets A ‘Desert High’ On Second Single From ‘Hardware’, Vince Ash Signs To Goliath And Releases Deluxe Edition of ‘VITO’, Hear Steve Miller Band’s ‘Shu Ba Da Du Ma Ma Ma Ma’ From 1977 Live LP, Taylor Swift Breaks Beatles’ UK Chart Record With ‘Fearless (Taylor’s Version)’, Alan Jackson Sings For His Daughters On ‘Where Have You Been’ Preview, that plaudit going to Gladys Knight And The Pips, classic titles and under-the-radar favorites, ‘Please Mr. Postman’: The Carpenters Redeliver The Marvelettes’ Hit, ‘A Girl Called Dusty’: Dusty Springfield Makes Her Album Debut, Motown And Female Empowerment: How Detroit’s Finest Opened Doors, ‘Pronounced Jah-Nay’: How Zhané Made A Name For Themselves, Mary Wilson’s Self-Titled Solo Album Makes Its Digital Debut, Motown Records And Black Forum To Release ‘Fire In Little Africa’ Collective Album, Synthesizer Pioneer And Stevie Wonder Collaborator Malcolm Cecil Dies At 84, Motown Reissues Elaine Brown’s ‘Elaine Brown/Until We’re Free’ Via Black Forum, Motown/UMe Announces Expanded Edition Of Mary Wilson’s 1979 Solo Debut. Walk in her shoes? The list of 100 Greatest Motown Songs is found here: http://www.digitaldreamdoor.com/pages/best_songs-motown.html It's not my … “Automatically Sunshine,” riding a brilliant little bass run, finds the girls in the masterly supervision of Smokey Robinson, who created a thoughtful yet still danceable sound that was both contemporary to 1972 and true to Motown’s classic values. Assertive, powerful, and groovy, this 1966 smash is beautifully delivered by the great Eddie Kendricks. Smokey Robinson’s group had a nice line in hand-me-down advice songs before he became the king of emotional metaphors, as this miraculous sliver of 1960 R&B testifies. A US No.1 in 1977, and still a club classic. Right still lifts the heart. A fair question, Marvin, as the skinny 60s soul romantic grows into a man aware that the world around him is full of exploitation, fear, and loathing. And here’s a more rolling groover: a US solo No.1 for the former high tenor of The Temptations. Set to a lilting waltz arrangement, this bittersweet tale of anxiety is never resolved – appropriately, as couples still face the same problem. But when a song like this was the result, it was worth arguing over. The classic Motown sound was starting to fully flow by the end of 1963, when “Can I Get A Witness” was released. Get Ready, Dancing In The Street, Money (That's What I Want)... Vários intérpretes Throbbing, grinding, and otherworldly, this is Ross in inner space, chasing dreams and illusions, while regretting wasted love as ever. What a single. Find album reviews, stream songs, credits and award information for Motown: The Complete #1s - Various Artists on AllMusic - 2008 - The opening salvo to Universal's celebration of… (function() {
"Fingertips Pt. Released in 1969, a chart-topper in 1970, and the birth of a legend. 1: The 1960s - Various Artists on AllMusic - 1988 - For Motown to purport that any slapdash… 03:01. Between 1960 and 1970 Motown Records produced dozens of the biggest and most enduring pop hits of all time and created the "Motown Sound." adunit_id: 100000795,
// ]]>
But his slower, altogether more spooked version was the one that stuck. The terrible irony is, The Supremes didn’t sing on it at all, though you can hear Bristol’s voice urging Diana onwards and upwards. Composed by Smokey and his sister Rose, “Quiet Storm” was not a huge pop hit, but it represents two things: a new genre of soul, which gave radio programmers an innovative format called, yes, Quiet Storm; and Motown coming to terms with the fact its music was not entirely for kids and parties anymore. A dreamy – in fact, daydreamy – ballad that was Eddie Kendricks’ parting gift to The Temptations, as he turns this tale of a deluded fantasist into a fan’s dream come true. Here are the best 50 Motown songs. She is reveling in her passion-jaded condition, delivering a trophy-grabbing disco masterpiece, showing the likes of Donna Summer and Gloria Gaynor who’s The Boss. But the not-quite original is the best! More Smokey magic, this time as a tunesmith alongside fellow Miracle Pete Moore. Sink into his silky gentleness and lose yourself. Looking for more? div_id: "cf_async_" + Math.floor((Math.random() * 999999999))
With Diana’s name now in lights, The Supremes set about tackling the problem of delivering soul in a psychedelic year (1967) – by making a psychedelic soul record. Full of beans, the boys from Gary, Indiana, break big with their first Tamla single, sounding like a junior Sly And The Family Stone crossed with a teenage Temptations. // Josh Taylor Days Of Our Lives,
Juneau, Alaska Glacier,
Cage The Elephant Cigarette Daydreams,
Guildford Cemetery Victoria,
Lehigh Valley Ironpigs 2021 Schedule,
Does Victor Caratini Speak English,
Anonymous Series Netflix,
Kadamban Heroine Name,
The Last Ship,
..." />
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The 50 Best Jazz Saxophonists Of All Time, ‘Fancy’: Behind Bobbie Gentry’s Women’s Lib Statement, Best Blue Note Album Covers: 20 Groundbreaking Artworks, The Women of Stax: Five Unheralded Pioneers, Photos: Motown Records Archives (Rick James), Motown/EMI Hayes Archives (Stevie Wonder, Mary Wells, Martha And The Vandellas, Marvin Gaye). Written by Smokey Robinson, this was Mary Wells’ biggest hit for Motown – and more or less marked the end of her tenure at the label. It’s definitely heavenly, though. The live recording was still more or less in its infancy in 1963, when … Sinatra At Budokan: A Performance Of Consummate Artistry, ‘The Prisoner’: How Herbie Hancock Found Musical Freedom, ‘Steppenwolf Live’: Rock Heroes Take One More Top Ten Album Trip, Pillar Stone: Clyde Stubblefield, James Brown’s ‘Funky Drummer’, Best Liz Phair Songs: 25 Extraordinary Tracks From The Indie Rock Pioneer, Billy Gibbons Gets A ‘Desert High’ On Second Single From ‘Hardware’, Vince Ash Signs To Goliath And Releases Deluxe Edition of ‘VITO’, Hear Steve Miller Band’s ‘Shu Ba Da Du Ma Ma Ma Ma’ From 1977 Live LP, Taylor Swift Breaks Beatles’ UK Chart Record With ‘Fearless (Taylor’s Version)’, Alan Jackson Sings For His Daughters On ‘Where Have You Been’ Preview, that plaudit going to Gladys Knight And The Pips, classic titles and under-the-radar favorites, ‘Please Mr. Postman’: The Carpenters Redeliver The Marvelettes’ Hit, ‘A Girl Called Dusty’: Dusty Springfield Makes Her Album Debut, Motown And Female Empowerment: How Detroit’s Finest Opened Doors, ‘Pronounced Jah-Nay’: How Zhané Made A Name For Themselves, Mary Wilson’s Self-Titled Solo Album Makes Its Digital Debut, Motown Records And Black Forum To Release ‘Fire In Little Africa’ Collective Album, Synthesizer Pioneer And Stevie Wonder Collaborator Malcolm Cecil Dies At 84, Motown Reissues Elaine Brown’s ‘Elaine Brown/Until We’re Free’ Via Black Forum, Motown/UMe Announces Expanded Edition Of Mary Wilson’s 1979 Solo Debut. Walk in her shoes? The list of 100 Greatest Motown Songs is found here: http://www.digitaldreamdoor.com/pages/best_songs-motown.html It's not my … “Automatically Sunshine,” riding a brilliant little bass run, finds the girls in the masterly supervision of Smokey Robinson, who created a thoughtful yet still danceable sound that was both contemporary to 1972 and true to Motown’s classic values. Assertive, powerful, and groovy, this 1966 smash is beautifully delivered by the great Eddie Kendricks. Smokey Robinson’s group had a nice line in hand-me-down advice songs before he became the king of emotional metaphors, as this miraculous sliver of 1960 R&B testifies. A US No.1 in 1977, and still a club classic. Right still lifts the heart. A fair question, Marvin, as the skinny 60s soul romantic grows into a man aware that the world around him is full of exploitation, fear, and loathing. And here’s a more rolling groover: a US solo No.1 for the former high tenor of The Temptations. Set to a lilting waltz arrangement, this bittersweet tale of anxiety is never resolved – appropriately, as couples still face the same problem. But when a song like this was the result, it was worth arguing over. The classic Motown sound was starting to fully flow by the end of 1963, when “Can I Get A Witness” was released. Get Ready, Dancing In The Street, Money (That's What I Want)... Vários intérpretes Throbbing, grinding, and otherworldly, this is Ross in inner space, chasing dreams and illusions, while regretting wasted love as ever. What a single. Find album reviews, stream songs, credits and award information for Motown: The Complete #1s - Various Artists on AllMusic - 2008 - The opening salvo to Universal's celebration of… (function() {
"Fingertips Pt. Released in 1969, a chart-topper in 1970, and the birth of a legend. 1: The 1960s - Various Artists on AllMusic - 1988 - For Motown to purport that any slapdash… 03:01. Between 1960 and 1970 Motown Records produced dozens of the biggest and most enduring pop hits of all time and created the "Motown Sound." adunit_id: 100000795,
// ]]>
But his slower, altogether more spooked version was the one that stuck. The terrible irony is, The Supremes didn’t sing on it at all, though you can hear Bristol’s voice urging Diana onwards and upwards. Composed by Smokey and his sister Rose, “Quiet Storm” was not a huge pop hit, but it represents two things: a new genre of soul, which gave radio programmers an innovative format called, yes, Quiet Storm; and Motown coming to terms with the fact its music was not entirely for kids and parties anymore. A dreamy – in fact, daydreamy – ballad that was Eddie Kendricks’ parting gift to The Temptations, as he turns this tale of a deluded fantasist into a fan’s dream come true. Here are the best 50 Motown songs. She is reveling in her passion-jaded condition, delivering a trophy-grabbing disco masterpiece, showing the likes of Donna Summer and Gloria Gaynor who’s The Boss. But the not-quite original is the best! More Smokey magic, this time as a tunesmith alongside fellow Miracle Pete Moore. Sink into his silky gentleness and lose yourself. Looking for more? div_id: "cf_async_" + Math.floor((Math.random() * 999999999))
With Diana’s name now in lights, The Supremes set about tackling the problem of delivering soul in a psychedelic year (1967) – by making a psychedelic soul record. Full of beans, the boys from Gary, Indiana, break big with their first Tamla single, sounding like a junior Sly And The Family Stone crossed with a teenage Temptations. // Josh Taylor Days Of Our Lives,
Juneau, Alaska Glacier,
Cage The Elephant Cigarette Daydreams,
Guildford Cemetery Victoria,
Lehigh Valley Ironpigs 2021 Schedule,
Does Victor Caratini Speak English,
Anonymous Series Netflix,
Kadamban Heroine Name,
The Last Ship,
..." />
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The 50 Best Jazz Saxophonists Of All Time, ‘Fancy’: Behind Bobbie Gentry’s Women’s Lib Statement, Best Blue Note Album Covers: 20 Groundbreaking Artworks, The Women of Stax: Five Unheralded Pioneers, Photos: Motown Records Archives (Rick James), Motown/EMI Hayes Archives (Stevie Wonder, Mary Wells, Martha And The Vandellas, Marvin Gaye). Written by Smokey Robinson, this was Mary Wells’ biggest hit for Motown – and more or less marked the end of her tenure at the label. It’s definitely heavenly, though. The live recording was still more or less in its infancy in 1963, when … Sinatra At Budokan: A Performance Of Consummate Artistry, ‘The Prisoner’: How Herbie Hancock Found Musical Freedom, ‘Steppenwolf Live’: Rock Heroes Take One More Top Ten Album Trip, Pillar Stone: Clyde Stubblefield, James Brown’s ‘Funky Drummer’, Best Liz Phair Songs: 25 Extraordinary Tracks From The Indie Rock Pioneer, Billy Gibbons Gets A ‘Desert High’ On Second Single From ‘Hardware’, Vince Ash Signs To Goliath And Releases Deluxe Edition of ‘VITO’, Hear Steve Miller Band’s ‘Shu Ba Da Du Ma Ma Ma Ma’ From 1977 Live LP, Taylor Swift Breaks Beatles’ UK Chart Record With ‘Fearless (Taylor’s Version)’, Alan Jackson Sings For His Daughters On ‘Where Have You Been’ Preview, that plaudit going to Gladys Knight And The Pips, classic titles and under-the-radar favorites, ‘Please Mr. Postman’: The Carpenters Redeliver The Marvelettes’ Hit, ‘A Girl Called Dusty’: Dusty Springfield Makes Her Album Debut, Motown And Female Empowerment: How Detroit’s Finest Opened Doors, ‘Pronounced Jah-Nay’: How Zhané Made A Name For Themselves, Mary Wilson’s Self-Titled Solo Album Makes Its Digital Debut, Motown Records And Black Forum To Release ‘Fire In Little Africa’ Collective Album, Synthesizer Pioneer And Stevie Wonder Collaborator Malcolm Cecil Dies At 84, Motown Reissues Elaine Brown’s ‘Elaine Brown/Until We’re Free’ Via Black Forum, Motown/UMe Announces Expanded Edition Of Mary Wilson’s 1979 Solo Debut. Walk in her shoes? The list of 100 Greatest Motown Songs is found here: http://www.digitaldreamdoor.com/pages/best_songs-motown.html It's not my … “Automatically Sunshine,” riding a brilliant little bass run, finds the girls in the masterly supervision of Smokey Robinson, who created a thoughtful yet still danceable sound that was both contemporary to 1972 and true to Motown’s classic values. Assertive, powerful, and groovy, this 1966 smash is beautifully delivered by the great Eddie Kendricks. Smokey Robinson’s group had a nice line in hand-me-down advice songs before he became the king of emotional metaphors, as this miraculous sliver of 1960 R&B testifies. A US No.1 in 1977, and still a club classic. Right still lifts the heart. A fair question, Marvin, as the skinny 60s soul romantic grows into a man aware that the world around him is full of exploitation, fear, and loathing. And here’s a more rolling groover: a US solo No.1 for the former high tenor of The Temptations. Set to a lilting waltz arrangement, this bittersweet tale of anxiety is never resolved – appropriately, as couples still face the same problem. But when a song like this was the result, it was worth arguing over. The classic Motown sound was starting to fully flow by the end of 1963, when “Can I Get A Witness” was released. Get Ready, Dancing In The Street, Money (That's What I Want)... Vários intérpretes Throbbing, grinding, and otherworldly, this is Ross in inner space, chasing dreams and illusions, while regretting wasted love as ever. What a single. Find album reviews, stream songs, credits and award information for Motown: The Complete #1s - Various Artists on AllMusic - 2008 - The opening salvo to Universal's celebration of… (function() {
"Fingertips Pt. Released in 1969, a chart-topper in 1970, and the birth of a legend. 1: The 1960s - Various Artists on AllMusic - 1988 - For Motown to purport that any slapdash… 03:01. Between 1960 and 1970 Motown Records produced dozens of the biggest and most enduring pop hits of all time and created the "Motown Sound." adunit_id: 100000795,
// ]]>
But his slower, altogether more spooked version was the one that stuck. The terrible irony is, The Supremes didn’t sing on it at all, though you can hear Bristol’s voice urging Diana onwards and upwards. Composed by Smokey and his sister Rose, “Quiet Storm” was not a huge pop hit, but it represents two things: a new genre of soul, which gave radio programmers an innovative format called, yes, Quiet Storm; and Motown coming to terms with the fact its music was not entirely for kids and parties anymore. A dreamy – in fact, daydreamy – ballad that was Eddie Kendricks’ parting gift to The Temptations, as he turns this tale of a deluded fantasist into a fan’s dream come true. Here are the best 50 Motown songs. She is reveling in her passion-jaded condition, delivering a trophy-grabbing disco masterpiece, showing the likes of Donna Summer and Gloria Gaynor who’s The Boss. But the not-quite original is the best! More Smokey magic, this time as a tunesmith alongside fellow Miracle Pete Moore. Sink into his silky gentleness and lose yourself. Looking for more? div_id: "cf_async_" + Math.floor((Math.random() * 999999999))
With Diana’s name now in lights, The Supremes set about tackling the problem of delivering soul in a psychedelic year (1967) – by making a psychedelic soul record. Full of beans, the boys from Gary, Indiana, break big with their first Tamla single, sounding like a junior Sly And The Family Stone crossed with a teenage Temptations. // Josh Taylor Days Of Our Lives,
Juneau, Alaska Glacier,
Cage The Elephant Cigarette Daydreams,
Guildford Cemetery Victoria,
Lehigh Valley Ironpigs 2021 Schedule,
Does Victor Caratini Speak English,
Anonymous Series Netflix,
Kadamban Heroine Name,
The Last Ship,
" />
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The 50 Best Jazz Saxophonists Of All Time, ‘Fancy’: Behind Bobbie Gentry’s Women’s Lib Statement, Best Blue Note Album Covers: 20 Groundbreaking Artworks, The Women of Stax: Five Unheralded Pioneers, Photos: Motown Records Archives (Rick James), Motown/EMI Hayes Archives (Stevie Wonder, Mary Wells, Martha And The Vandellas, Marvin Gaye). Written by Smokey Robinson, this was Mary Wells’ biggest hit for Motown – and more or less marked the end of her tenure at the label. It’s definitely heavenly, though. The live recording was still more or less in its infancy in 1963, when … Sinatra At Budokan: A Performance Of Consummate Artistry, ‘The Prisoner’: How Herbie Hancock Found Musical Freedom, ‘Steppenwolf Live’: Rock Heroes Take One More Top Ten Album Trip, Pillar Stone: Clyde Stubblefield, James Brown’s ‘Funky Drummer’, Best Liz Phair Songs: 25 Extraordinary Tracks From The Indie Rock Pioneer, Billy Gibbons Gets A ‘Desert High’ On Second Single From ‘Hardware’, Vince Ash Signs To Goliath And Releases Deluxe Edition of ‘VITO’, Hear Steve Miller Band’s ‘Shu Ba Da Du Ma Ma Ma Ma’ From 1977 Live LP, Taylor Swift Breaks Beatles’ UK Chart Record With ‘Fearless (Taylor’s Version)’, Alan Jackson Sings For His Daughters On ‘Where Have You Been’ Preview, that plaudit going to Gladys Knight And The Pips, classic titles and under-the-radar favorites, ‘Please Mr. Postman’: The Carpenters Redeliver The Marvelettes’ Hit, ‘A Girl Called Dusty’: Dusty Springfield Makes Her Album Debut, Motown And Female Empowerment: How Detroit’s Finest Opened Doors, ‘Pronounced Jah-Nay’: How Zhané Made A Name For Themselves, Mary Wilson’s Self-Titled Solo Album Makes Its Digital Debut, Motown Records And Black Forum To Release ‘Fire In Little Africa’ Collective Album, Synthesizer Pioneer And Stevie Wonder Collaborator Malcolm Cecil Dies At 84, Motown Reissues Elaine Brown’s ‘Elaine Brown/Until We’re Free’ Via Black Forum, Motown/UMe Announces Expanded Edition Of Mary Wilson’s 1979 Solo Debut. Walk in her shoes? The list of 100 Greatest Motown Songs is found here: http://www.digitaldreamdoor.com/pages/best_songs-motown.html It's not my … “Automatically Sunshine,” riding a brilliant little bass run, finds the girls in the masterly supervision of Smokey Robinson, who created a thoughtful yet still danceable sound that was both contemporary to 1972 and true to Motown’s classic values. Assertive, powerful, and groovy, this 1966 smash is beautifully delivered by the great Eddie Kendricks. Smokey Robinson’s group had a nice line in hand-me-down advice songs before he became the king of emotional metaphors, as this miraculous sliver of 1960 R&B testifies. A US No.1 in 1977, and still a club classic. Right still lifts the heart. A fair question, Marvin, as the skinny 60s soul romantic grows into a man aware that the world around him is full of exploitation, fear, and loathing. And here’s a more rolling groover: a US solo No.1 for the former high tenor of The Temptations. Set to a lilting waltz arrangement, this bittersweet tale of anxiety is never resolved – appropriately, as couples still face the same problem. But when a song like this was the result, it was worth arguing over. The classic Motown sound was starting to fully flow by the end of 1963, when “Can I Get A Witness” was released. Get Ready, Dancing In The Street, Money (That's What I Want)... Vários intérpretes Throbbing, grinding, and otherworldly, this is Ross in inner space, chasing dreams and illusions, while regretting wasted love as ever. What a single. Find album reviews, stream songs, credits and award information for Motown: The Complete #1s - Various Artists on AllMusic - 2008 - The opening salvo to Universal's celebration of… (function() {
"Fingertips Pt. Released in 1969, a chart-topper in 1970, and the birth of a legend. 1: The 1960s - Various Artists on AllMusic - 1988 - For Motown to purport that any slapdash… 03:01. Between 1960 and 1970 Motown Records produced dozens of the biggest and most enduring pop hits of all time and created the "Motown Sound." adunit_id: 100000795,
// ]]>
But his slower, altogether more spooked version was the one that stuck. The terrible irony is, The Supremes didn’t sing on it at all, though you can hear Bristol’s voice urging Diana onwards and upwards. Composed by Smokey and his sister Rose, “Quiet Storm” was not a huge pop hit, but it represents two things: a new genre of soul, which gave radio programmers an innovative format called, yes, Quiet Storm; and Motown coming to terms with the fact its music was not entirely for kids and parties anymore. A dreamy – in fact, daydreamy – ballad that was Eddie Kendricks’ parting gift to The Temptations, as he turns this tale of a deluded fantasist into a fan’s dream come true. Here are the best 50 Motown songs. She is reveling in her passion-jaded condition, delivering a trophy-grabbing disco masterpiece, showing the likes of Donna Summer and Gloria Gaynor who’s The Boss. But the not-quite original is the best! More Smokey magic, this time as a tunesmith alongside fellow Miracle Pete Moore. Sink into his silky gentleness and lose yourself. Looking for more? div_id: "cf_async_" + Math.floor((Math.random() * 999999999))
With Diana’s name now in lights, The Supremes set about tackling the problem of delivering soul in a psychedelic year (1967) – by making a psychedelic soul record. Full of beans, the boys from Gary, Indiana, break big with their first Tamla single, sounding like a junior Sly And The Family Stone crossed with a teenage Temptations. // Josh Taylor Days Of Our Lives,
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The 50 Best Jazz Saxophonists Of All Time, ‘Fancy’: Behind Bobbie Gentry’s Women’s Lib Statement, Best Blue Note Album Covers: 20 Groundbreaking Artworks, The Women of Stax: Five Unheralded Pioneers, Photos: Motown Records Archives (Rick James), Motown/EMI Hayes Archives (Stevie Wonder, Mary Wells, Martha And The Vandellas, Marvin Gaye). Written by Smokey Robinson, this was Mary Wells’ biggest hit for Motown – and more or less marked the end of her tenure at the label. It’s definitely heavenly, though. The live recording was still more or less in its infancy in 1963, when … Sinatra At Budokan: A Performance Of Consummate Artistry, ‘The Prisoner’: How Herbie Hancock Found Musical Freedom, ‘Steppenwolf Live’: Rock Heroes Take One More Top Ten Album Trip, Pillar Stone: Clyde Stubblefield, James Brown’s ‘Funky Drummer’, Best Liz Phair Songs: 25 Extraordinary Tracks From The Indie Rock Pioneer, Billy Gibbons Gets A ‘Desert High’ On Second Single From ‘Hardware’, Vince Ash Signs To Goliath And Releases Deluxe Edition of ‘VITO’, Hear Steve Miller Band’s ‘Shu Ba Da Du Ma Ma Ma Ma’ From 1977 Live LP, Taylor Swift Breaks Beatles’ UK Chart Record With ‘Fearless (Taylor’s Version)’, Alan Jackson Sings For His Daughters On ‘Where Have You Been’ Preview, that plaudit going to Gladys Knight And The Pips, classic titles and under-the-radar favorites, ‘Please Mr. Postman’: The Carpenters Redeliver The Marvelettes’ Hit, ‘A Girl Called Dusty’: Dusty Springfield Makes Her Album Debut, Motown And Female Empowerment: How Detroit’s Finest Opened Doors, ‘Pronounced Jah-Nay’: How Zhané Made A Name For Themselves, Mary Wilson’s Self-Titled Solo Album Makes Its Digital Debut, Motown Records And Black Forum To Release ‘Fire In Little Africa’ Collective Album, Synthesizer Pioneer And Stevie Wonder Collaborator Malcolm Cecil Dies At 84, Motown Reissues Elaine Brown’s ‘Elaine Brown/Until We’re Free’ Via Black Forum, Motown/UMe Announces Expanded Edition Of Mary Wilson’s 1979 Solo Debut. Walk in her shoes? The list of 100 Greatest Motown Songs is found here: http://www.digitaldreamdoor.com/pages/best_songs-motown.html It's not my … “Automatically Sunshine,” riding a brilliant little bass run, finds the girls in the masterly supervision of Smokey Robinson, who created a thoughtful yet still danceable sound that was both contemporary to 1972 and true to Motown’s classic values. Assertive, powerful, and groovy, this 1966 smash is beautifully delivered by the great Eddie Kendricks. Smokey Robinson’s group had a nice line in hand-me-down advice songs before he became the king of emotional metaphors, as this miraculous sliver of 1960 R&B testifies. A US No.1 in 1977, and still a club classic. Right still lifts the heart. A fair question, Marvin, as the skinny 60s soul romantic grows into a man aware that the world around him is full of exploitation, fear, and loathing. And here’s a more rolling groover: a US solo No.1 for the former high tenor of The Temptations. Set to a lilting waltz arrangement, this bittersweet tale of anxiety is never resolved – appropriately, as couples still face the same problem. But when a song like this was the result, it was worth arguing over. The classic Motown sound was starting to fully flow by the end of 1963, when “Can I Get A Witness” was released. Get Ready, Dancing In The Street, Money (That's What I Want)... Vários intérpretes Throbbing, grinding, and otherworldly, this is Ross in inner space, chasing dreams and illusions, while regretting wasted love as ever. What a single. Find album reviews, stream songs, credits and award information for Motown: The Complete #1s - Various Artists on AllMusic - 2008 - The opening salvo to Universal's celebration of… (function() {
"Fingertips Pt. Released in 1969, a chart-topper in 1970, and the birth of a legend. 1: The 1960s - Various Artists on AllMusic - 1988 - For Motown to purport that any slapdash… 03:01. Between 1960 and 1970 Motown Records produced dozens of the biggest and most enduring pop hits of all time and created the "Motown Sound." adunit_id: 100000795,
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But his slower, altogether more spooked version was the one that stuck. The terrible irony is, The Supremes didn’t sing on it at all, though you can hear Bristol’s voice urging Diana onwards and upwards. Composed by Smokey and his sister Rose, “Quiet Storm” was not a huge pop hit, but it represents two things: a new genre of soul, which gave radio programmers an innovative format called, yes, Quiet Storm; and Motown coming to terms with the fact its music was not entirely for kids and parties anymore. A dreamy – in fact, daydreamy – ballad that was Eddie Kendricks’ parting gift to The Temptations, as he turns this tale of a deluded fantasist into a fan’s dream come true. Here are the best 50 Motown songs. She is reveling in her passion-jaded condition, delivering a trophy-grabbing disco masterpiece, showing the likes of Donna Summer and Gloria Gaynor who’s The Boss. But the not-quite original is the best! More Smokey magic, this time as a tunesmith alongside fellow Miracle Pete Moore. Sink into his silky gentleness and lose yourself. Looking for more? div_id: "cf_async_" + Math.floor((Math.random() * 999999999))
With Diana’s name now in lights, The Supremes set about tackling the problem of delivering soul in a psychedelic year (1967) – by making a psychedelic soul record. Full of beans, the boys from Gary, Indiana, break big with their first Tamla single, sounding like a junior Sly And The Family Stone crossed with a teenage Temptations. //